Researching across the intersections of visual language, design, and digital media environments, with a particular interest in critical narratives and multimodal inquiries for learning about current means of communication, information, distribution, and knowledge generation.

Doctoral research on the platform imagination, situating tech imaginaries through artistic practices, at the London School of Film, Media and Design, UWL (UK). Passionately teaching and programming at the Institute of Design and Visual Interaction, Royal Danish Academy, and as research affiliate of its Cluster for Interactive Experiences (DK). Creatively co-directing fanfare, artistic research collective for broken channels of interlinked communication (NL). Co-founding and running stanza, project space and studio for critical publishing (DK).

Playground of the In-Between

On invitation by the Palace of Typographic Masonry design and jingles were developed for the exhibition “An Alphabet of Cases” at Graphic Days in Turin, Italy, 2021. 

Based on questions given to all contributors of The Palace of Typographic Masonry, the contribution titled “Playground of the in-between” playfully presents a soundscape and set of jingles and 14 vocal advertisements that hijack and play a part in the official museum audio tour. With an ironical twist, the jingles touch on working conditions, ideal commissions and value. Listen here.

Colophon

Design and concept: Miquel Hervás Gómez, Freja Kir
Sound with: Fabian Reichle

The Palace of Typographic Masonry is an imaginary museum for graphic design. Within the narrative of a building with nine departments (Sign, Symbol, Ornament, Construction, Poetics, Game, Order, Craft and Practice), the project continuously develops new additions in which a certain aspect of graphic design is highlighted. The Palace is initiated by Richard Niessen.